Töpfermarkt in Dießen

Herzliche Einladung zu unserer Ausstellung anlässlich des Dießener Töpfermarkts 2026 an unserem zweiten Standort in Dießen am Ammersee.
Wir zeigen die Fotoserie Ammermeer von Jens Heilmann, Keramik von Christine Wagner und Mani by Britta Hermann.

Ausstellungsdauer
ab 14. Mai 2026 bis Sommer 2026

Ausstellungsort

Kunststück – Wohnen Kunst Design
Herrenstraße 16 | 86911 Dießen

Sonderöffnungszeiten im Kunststück
Donnerstag, 14. Mai bis Sonntag, 17. Mai

Donnerstag / Freitag / Samstag von 10 –18 Uhr
Sonntag 10–16 Uhr

Jens Heilmann Ammermeer

Christine Wagner Keramik

Mani – Britta Hermann Keramik

Schmuck 2026

Main Course – 
Helen Britton and Carlier Makigawa in Dialogue

Ausstellungsdauer 
2. März bis 28. März 2026 
Einige Arbeiten weiterhin zu sehen bis Sommer 2026

Sonderöffnungszeiten während der »Schmuck 2026«

Montag 2. März bis Sonntag 8. März 2026
Montag – Dienstag 12–18 Uhr
Mittwoch – Freitag 10–19 Uhr
Samstag 10–14 Uhr
Sonntag 14–18 Uhr

Ort: raumwerk – Concept Store und Galerie
Schwanthalerstraße 125 | 80339 München

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Anlässlich der Sonderschau »Schmuck« der internationalen Handwerksmesse München zeigen wir eine Ausstellung mit Arbeiten von Helen Britton und Carlier Makigawa.

Statement Helen Britton

As a young artist there were some stars in the sky that I looked to for hope and inspiration. Great Artists who had made their way out into the world with courage and determination, forging paths to follow, expanding the possibilities of practice for all of us. I was living in Western Australia when I first encountered the work of Carlier Makigawa, iconic photos of the artist’s work presented on the body in stellar galleries like Ra in Amsterdam and Funaki in Melbourne. Carlier had grown up in Western Australia, shifted to the east coast, and alongside her high-profile practice she was head of Gold and Silversmithing at RMIT, steering that programme to international recognition. An inspiration to so many of us. Exhibitions drew us together and with time we became friends and companions, travelling, eating, shopping, art, so many things in common, and now so many mutual adventures to reflect on.

 For this dialogue exhibition Carlier has chosen some elements from my component collection during her stints in our studio in Munich. Ultramarine was a significant colour early on, giving room to dream, the colour of the night sky or the ocean. Other colours shuffled in as we developed work over the years. Materials diversified with our visits to Idar -Oberstein and our repertoire of pieces expanded through Side-salad with Funaki Gallery in Melbourne in 2025 to Main-course for Raumwerk in Munich in 2026.

These are constellations of work from two friend and two artists carrying the residue in their materials of our time spent together.

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